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The Drafting Process

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A student walked into his writing class the day an assignment was due. Everyone turned in their assignment except for this one student.

"Where’s your assignment?" inquired the professor.

"I don’t have it." The professor gave the student a "why not?" look. "I had writer’s block."

"There is no such thing as writer’s block," the professor replied.

So call it an anxiety attack. The truth is, despite all of the planning work that precedes the actual drafting of a communication product, many of us¾ me included¾ often feel intimidated by the blank screen when we start the actual task of committing ideas to specific words and images. We don’t feel able to proceed. In that sense, writer’s block is a real phenomenon.

Experienced communicators have developed these strategies for overcoming writer’s block. Try one; if it works, keep using it. If it doesn’t, try another.

As soon as you have drafted a section, show it to someone else to get an immediate first reaction. The person you choose should be a trusted confidante¾ definitely do not show it to your client. When you show work at this early stage, do not worry about whether or not the text is written well or not. What you want to find out is:

You want to get a reaction as soon as possible so that you can get feedback before you have "married" the text. The more time you spend revising the text to craft it "just so," the more invested you become in the draft. The more invested you become in the draft, the less open you are to suggested changes.

And, as a tee-shirt manufactured by the Santa Barbara chapter of the Society for Technical Communication notes about the drafting process:

Write, revise, revise, revise,

revise, revise, revise, revise

revise, revise, revise, revise

revise, revise, revise, publish

In other words, the process for developing technical communication products involves extensive revision, so the sooner in the process you initate the revision, the less tedious a process it will seem.

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(c) Copyright. 1999, 2000, 2001, 2002. Saul Carliner. All rights reserved.